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'Play', in its comedic and anarchic form, resembles an all-absorbing game — a free, open activity. It is not separated from life but forms its inherent element. Immersion in absurdity allows us to communicate personal stories and create a space of contemporary entropy. Reality is not a rigid structure but a flow of relations, in which objects and figures play with one another.
By engaging in play, you cross various thresholds. Suddenly, you find yourself between safety and danger. Excitement and unease go hand in hand. A little devil in your head provokes you. Or maybe it’s all fake—maybe you’re the one in control? Anyone who dares to enter ends up in the attic, and it’s hard to come back from there. You have to trust that suspicious little creature.
Some things have no names. Play always needs an element of fiction. Step by step, the game unfolds. Scribbles begin to tell endless stories, diapers glued with latex and a bit of human milk form an archive of strange consistency. A…
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'Play', in its comedic and anarchic form, resembles an all-absorbing game — a free, open activity. It is not separated from life but forms its inherent element. Immersion in absurdity allows us to communicate personal stories and create a space of contemporary entropy. Reality is not a rigid structure but a flow of relations, in which objects and figures play with one another.
By engaging in play, you cross various thresholds. Suddenly, you find yourself between safety and danger. Excitement and unease go hand in hand. A little devil in your head provokes you. Or maybe it’s all fake—maybe you’re the one in control? Anyone who dares to enter ends up in the attic, and it’s hard to come back from there. You have to trust that suspicious little creature.
Some things have no names. Play always needs an element of fiction. Step by step, the game unfolds. Scribbles begin to tell endless stories, diapers glued with latex and a bit of human milk form an archive of strange consistency. A…
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